Evonne Jiawei Yuan is a writer and curator from Shanghai. She graduated from Fudan University with B.A. in Museology, The Courtauld Institute of Art, University of London with M.A. in History of Art, and the Architectural Association School of Architecture with M.A. in History & Critical Thinking. Recent curations include “The Cloud Catcher” (Perrotin, Shanghai, 2025), “A Blue-Flowering Day” (Yuan Art Museum, Beijing, 2024), “The Inner Side of the Wind” (Up&Coming Sector of Gallery Weekend Beijing, Beijing, 2024), “By Virtue of Situated Compromise” (ASE Foundation, Shanghai, 2023), “A Tie to All the Earth” (Perrotin in collaboration with teagan:, Beijing, 2023), “Steadfastly Revise For the Standards in Nonproductive Construction (Part I: Solid Molds; Part II: Liquid Circulates)” (Long March Independent Space, Beijing, 2022–23), “Entangled, Ensnared, Entwined – Carol Bove, Hu Xiaoyuan, Alicja Kwade” (Longlati Foundation, Shanghai, 2023), etc. Co-curations include “One and All: New Artistic Styles of Contemporary Painting” (National Art Museum of China, Beijing, 2024), “Friends in the Arts: Exhibition of Chinese Collectors’ New Contemporaries” (TANK, Shanghai, 2023), “New Moroism – Michael Ho, Chris Huen Sin-Kan, Timothy Lai, Su Yu-Xin” (White Cube, Hong Kong, 2023), etc. Current research interests include the architectural media in-and-of contemporary art, (post)modern spatial concepts, border aesthetics and its geopolitics. She was Guest Curator of Longlati Foundation and Head of its Writers’ Acquisition Committee from 2021 to 2023, who led the launching of solo exhibitions “Ma Qiusha: The Mirror(-scape) of Your Skin” (2022), “Laure Prouvost: Theatergarden and A Be(a)stiary of the Anthropocene” (2022), etc. She is also the founder of totalab, an independent curatorial practice in Shanghai, where she curated “Going Viral: Zombies, Pluribiosis, and Love of the Living Dead” with works from the Soil Collection (2022).