{"id":47,"date":"2024-10-20T13:15:53","date_gmt":"2024-10-20T05:15:53","guid":{"rendered":"http:\/\/localhost\/yuan\/web\/?page_id=35"},"modified":"2025-06-15T20:59:51","modified_gmt":"2025-06-15T12:59:51","slug":"cv","status":"publish","type":"page","link":"http:\/\/evonnejiaweiyuan.com\/en\/about\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"<p><strong>Education<\/strong><\/p>\n<p>M.A. with Distinction, History &amp; Critical Thinking, Architectural Association School of Architecture, London, United Kingdom (2015\/16)<\/p>\n<p>M.A. with Merit, History of Art, The Courtauld Institute of Art, University of London, London, United Kingdom (2014\/15)<\/p>\n<p>B.A., Museology, Department of Cultural Heritage and Museology, Fudan University, Shanghai, China (2009\u20132013)<\/p>\n<p style=\"padding-left: 40px;\">Summer exchange at Pembroke-King\u2019s Programme, University of Cambridge, United Kingdom (July\u2013Aug 2013)<br \/>\nSemester exchange at the Department of History, National Chengchi University, Taipei, Taiwan (Feb\u2013Aug 2011)<\/p>\n<p><strong>Employment<\/strong><\/p>\n<p>Independent Curator (Nov 2020 \u2013 \/ Fulltime)<\/p>\n<p style=\"padding-left: 40px;\">Initiator \u2013 totalab, Shanghai, China (Sept 2022 \u2013 Dec 2023 \/ Part-time)<br \/>\nAdjunct Curator &amp; Head of Writers\u2019 Acquisition Committee \u2013 Longlati Foundation, Shanghai, China (July 2021 \u2013 March 2023 \/ Part-time)<br \/>\nChinese Editor \u2013 White Cube, Hong Kong (Feb 2021 \u2013 April 2022 \/ Part-time)<br \/>\nResearch Associate \u2013 Chen Yujun Studio, Shanghai, China (Nov 2020 \u2013 June 2021 \/ Part-time)<\/p>\n<p>Assistant to Founder \u2013 Long March Space, Beijing, China (Feb 2019 \u2013 Oct 2020 \/ Fulltime)<\/p>\n<p>Artist Liaison \u2013 Don Gallery, Shanghai, China (May 2017 \u2013 Jan 2019 \/ Fulltime)<\/p>\n<p>Curatorial Assistant \u2013 Shanghai Project &amp; Shanghai Himalayas Museum, Shanghai, China (Jan\u2013April 2017 \/ Fulltime)<\/p>\n<p><strong>Selected Curations<\/strong><\/p>\n<p><em>Tsuyoshi Hisakado: Dear Future Person, <\/em>&amp;<em> Zhao Yao: By and by it unfolds and then folds.<\/em>, Fosun Foundation, Shanghai, China (June 2025)<\/p>\n<p><em>The Cloud Catcher<\/em>, Perrotin, Shanghai, China (Jan 2025)<\/p>\n<p><em>A Blue-Flowering Day<\/em>, Yuan Art Museum, Beijing, China (Sept 2024)<\/p>\n<p><em>The Inner Side of the Wind<\/em>, the Up&amp;Coming Sector of Gallery Weekend Beijing, 798 Art District, Beijing, China (May 2024)<\/p>\n<p><em>By Virtue of Situated Compromise<\/em>, ASE Foundation, Shanghai, China (Oct 2023)<\/p>\n<p><em>A Tie to All the Earth<\/em>, Perrotin in collaboration with teagan:, Beijing, China (April 2023)<\/p>\n<p><em>Entangled, Ensnared, Entwined \u2013 Carol Bove, Hu Xiaoyuan, Alicja Kwade<\/em>, Longlati Foundation, Shanghai, China (March 2023)<\/p>\n<p><em>Steadfastly Revise For the Standards in Nonproductive Construction (Part I: Solid Molds; Part II: Liquid Circulates)<\/em>, Long March Independent Space, Beijing, China (Dec 2022 &amp; March 2023)<\/p>\n<p><em>Going Viral: Zombies, Pluribiosis, and Love of the Living Dead<\/em>, totalab x The Soil Collection founded by Vince Guo and Aria Yang, Shanghai, China (Nov 2022)<\/p>\n<p><em>Steadfastly Raise the Standards in Nonproductive Construction<\/em>, Don Gallery, Shanghai, China (Nov 2018)<\/p>\n<p><em>Shanghai Dandy<\/em>, Don Gallery, Shanghai, China (Nov 2017)<\/p>\n<p><strong>Recent Co-Curations<\/strong><\/p>\n<p><em>One and All: New Artistic Styles of Contemporary Painting<\/em>, National Art Museum, Beijing, China (April 2024)<\/p>\n<p><em>Friends in the Arts: Exhibition of Chinese Collectors\u2019 New Contemporaries<\/em>, TANK, Shanghai, China (July &amp; Nov 2023)<\/p>\n<p><em>New Moroism \u2013 Michael Ho, Chris Huen Sin-Kan, Timothy Lai, Su Yu-Xin<\/em>, White Cube, Hong Kong (May 2023)<\/p>\n<p><strong>Editorial Residencies<\/strong><\/p>\n<p><em>The House of Octopus in Love<\/em>, Eclosion Collection + Projects founded by Michelle Zou, Beijing, China (Sept\u2013Nov 2024)<\/p>","protected":false},"excerpt":{"rendered":"<p>Education M.A. with Distinction, History &amp; Critical Thinking, Architectural Association School of Architecture, London, United Kingdom (2015\/16) M.A. with Merit, History of Art, The Courtauld Institute of Art, University of London, London, United Kingdom (2014\/15) B.A., Museology, Department of Cultural Heritage and Museology, Fudan University, Shanghai, China (2009\u20132013) Summer exchange at Pembroke-King\u2019s Programme, University of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":45,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-47","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/pages\/47","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/comments?post=47"}],"version-history":[{"count":5,"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/pages\/47\/revisions"}],"predecessor-version":[{"id":722,"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/pages\/47\/revisions\/722"}],"up":[{"embeddable":true,"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/pages\/45"}],"wp:attachment":[{"href":"http:\/\/evonnejiaweiyuan.com\/en\/wp-json\/wp\/v2\/media?parent=47"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}